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English Department
Syllabus
College English II
2008-2009
The department syllabus is designed to help instructors put
together their own syllabi for ENGL 1202 College English II. It includes
specific guidelines for teaching the course, model syllabi, suggested writing
assignments, and web sites for supplemental materials. This syllabus is
available on-line (on both the 1202 Website and the Writing Faculty Blackboard
Course), so faculty can save it to their computers and use it as a template for
creating their own syllabi. If you are, in fact, reading this syllabus on
line, it is also available in hard copy from the Director of First Year Writing,
Dr. Nancy Enright. Acting Director, spring 2009, is Dr. Kelly Shea.
GOALS AND OBJECTIVES
College English
II is the second semester of the first-year writing requirement. Four different
versions or tracks of the course are offered each semester, each one designed
linked thematically with readings in other disciplines:
-
Literature and Public Life
-
Literature and the Natural World
-
Literature and the Human Psyche
-
Literature and the Humanities
Instructors may choose which version
of 1202 they wish to teach, unless there is a special need for a particular
version. In that case, they may be requested to teach a particular version.
(However, this kind of request would not be typical.)
Students will achieve the following
in a context that includes readings from many disciplines and that emphasizes
skills that are relevant across the curriculum:
-
further development of writing skills
initiated in 1201, such as explication, argumentation, close reading, and
textual analysis
-
understanding and ability to use theoretical
perspectives in both reading and writing
-
understanding of research methodologies,
including e valuation and use of online and print resources, citation
formats, and ways to avoid plagiarism through proper paraphrasing,
summarizing, and referencing
-
ability to integrate perspectives by focusing
on one general theme through the lenses of different disciplines.
The double tasks
of introducing three literary genres and guiding the writing of the research
paper are the primary concerns of College English II. The course should provide
students with a comprehensive introduction to the short story, poetry, and
drama. Since ENGL 1201 focuses on the essay, College English II will
concentrate on other literary forms (although expository prose will probably be
the primary form for the interdisciplinary readings). You may organize the
course thematically, chronologically, or by genre. Literature and The
Bedford Handbook both contain instructive material to help guide students
toward sound writing and strengthen reading, writing, and research skills. The
Handbook includes sections on writing the research paper.
The writing goals for the entire year of
College English are captured by eleven
outcomes statements and a rubric
with six criteria. (See also
abbreviated version of
rubric.)
REQUIRED TEXTS
Di Yanni, Robert.
Literature: Reading Fiction, Poetry, and Drama. 6th ed.
New York:
McGraw-Hill, 2003.
Hacker, Diana.
The Bedford Handbook.
On-line course
inter-disciplinary course materials.
RECOMMENDED TEXT
The American
Heritage College Dictionary.
Latest edition
COURSE CONTENT
Readings will be taken from a wide
variety of texts, both literary (poetry, drama, and fiction) and non-fiction.
-
Students must read a selection of short
stories and poetry, and two plays, including at least one pre-20th
century drama.
- 3 - 7 interdisciplinary texts (such as
essays, reviews, visual texts, music, film, editorials) from the selected
on-line materials available through Blackboard.
WRITING ASSIGNMENTS
There should be a mix of
both formal (marked up and graded) and informal writing assignments:
Requirements:
-
Research paper – can be either a traditional
literary analysis or a paper that examines the literature or literary issues
from an interdisciplinary perspective based on the topic of the course.
Even
if you assign three (instead of two, which we normally have done) short
papers, you must also assign one lengthier research paper of at least 6
pages, using at least three secondary sources, besides the text(s) from
the course.
-
2-3 short papers: at least one should be a
literary analysis, but the other might be a literature review, a paper
proposal, a response essay, or an explication.
-
Weekly informal writing: these may include
on-line discussion board entries, double-entry journal responses, response
essay, in-class writing, peer review, or presentation evaluations.
-
Exams and quizzes as needed; a final exam,
including one or more essay questions, is required in 1202 (the final exam
can be included as part of a portfolio assessment).
-
By the end of the semester, students should
have produced 15-20 pages of formal writing that has gone through the
writing process and been critiqued, revised and graded.
WRITING INSTRUCTION
-
The writing process (drafting, peer review,
revision, editing)
-
Review of MLA documentation
-
Review of research techniques
-
Plagiarism
-
Grammar, structure, and mechanics reviews
Each progressive
element of the research paper must be taught, from its preliminary stages to the
finished product. These include library skills--searching and researching--
note-taking, outlining, documenting sources, paraphrasing, eliminating
plagiarism, drafting, editing, and typing the paper according to the required
format. You should collect each of these steps from students as they do them,
and have them resubmit this material with the final paper. Students are
expected to adhere to the MLA format for documentation and presentation of all
papers.
Important information about
the course—both for instructors and students—is available through the 1202
Website. Here you will find guidelines about teaching the course, grading
criteria, and useful links. If you are using this syllabus on line, click on
this link:
http://artsci.shu.edu/english/1202.
Otherwise, type this url into your web browser. You will find information on
the following topics, as well as guidelines for writing assignments and a link
to the University Writing Center:
For Faculty:
For Students:
Attendance Policy
The English Department has
a rather strict attendance policy, based on the fact that our classes are not
lecture-based, but involving a large amount of discussion and in-class writing.
A student missing a significant portion of class time will not be
experiencing the course in its completion.
The English Department has approved an attendance policy for all composition
classes. Instructors must support this policy. The most practical way to
do this is to treat the class as a workshop in which students are responsible
for at least one piece of writing for each class session; (this will put the
emphasis on work missed rather on a lack of attendance). In-class writing
assignments might take any of the following forms: journal entry, quiz, peer
review, response to prompt either before or after in-class discussion/ activity,
evaluation, written practice of a required rhetorical/research/ grammatical
concept.
Please include the following statement on
your course syllabus:
College English I is a writing workshop,
which means that the work we do in class is an essential component of the
course. This includes in-class writing assignments, quizzes, note-taking, peer
review, and group work. In courses meeting twice a week, students with 4
absences will have
failed to complete a substantial number of these writing assignments, and will
therefore be unable to pass College English I, unless there is an exceptional
situation (see below).
(In courses meeting 3 times a week,
the maximum is 6 absences.) 1201-0160 sections, normally meeting 4 times a
week, would have a limit of 8 absences.
An "excused" absence is
one documented by either the Athletic Department or the Dean for Student
Affairs, Dr. Karen Van Norman. Instructors
should not accept doctor's notes as proof of excused absences.
Please advise freshmen with significant medical or family problems to
speak with their mentor and/or someone in the Dean of Community Development’s
office, x9076, to obtain assistance and
official excuses for these absences.
Occasionally a student will
have a legitimate reason for being absent more than six times (or four or eight,
as listed above, depending on the number of class meetings)—usually medical,
sometimes athletic. These excused
absences should be documented by either the Athletic Department or the Dean of
Students, Karen Van Norman. If
the absences do not extend much past the limit (6, 4, 8) and the student
consistently takes responsibility for these absences, exceptions may be made to
the absence policy. However,
if you are considering passing anyone else who has more than 6 (or 4 or 8,
depending on the number of class meetings) absences, you must speak to the Director of First Year Writing
or, in the case of 1201-0160, the Director of Basic Skills.
TECHNOLOGICAL LITERACY
Seton Hall University has made a commitment to
mobile computing. As a result, incoming freshman are equipped with laptop
computers and instructors are expected to incorporate elements of information
technology (IT) into their courses. The Blackboard learning suite can be used
for peer editing, group projects, discussion boards, journals, and submission of
papers. Faculty will likely also make use of email, on-line databases offered
through the library, internet research, power point presentations, and computer
editing. Streaming video and audio are also available through the Teaching
Learning Technology Center.
All writing faculty receive an IBM
laptop computer as part of the university’s mobile computing initiative. All
1202 sections have a corresponding section in Blackboard, the course management
system used by the university. Training in Blackboard is offered by the English
Department as part of summer orientation in August and by the university in its
Computer Training Center.
Faculty should make use of Blackboard for course
information (such as posting the syllabus), for class discussions and
assignments, for announcements, and for external links to additional course
materials. Encourage your students to check their Blackboard course daily.
Use of information technology in class requires
vigilance. The instructor must be aware at all times what students are doing.
This means walking around the room, having students close laptops when they are
not specifically in use, and giving students a specific assignment and
deadline. Students should not be checking e-mail, using Instant Messenger, or
surfing the net while the rest of the class is otherwise engaged.
This year’s general syllabus is
on-line and interactive, so you can use it as a template for your own class.
There is an expectation that you will incorporate technology into the course;
the ways this can happen are discussed below.
The Writing Faculty Blackboard Community should
be used regularly by all writing faculty. Post your syllabus, assignments, and
any other helpful materials (PowerPoint presentations, external links) to share
with your colleagues. In the Discussion Board of this course you will find the
appropriate forums to post your materials. Take a few moments each week to
check out the entries of your colleagues. This course can be put under
“Community” in Blackboard (not Courses).
Anyone teaching in the Writing Program will be
automatically added to the Writing Faculty Blackboard Community.
ENTRANCE REQUIREMENTS FOR ENGL 1202
The prerequisite
for College English II is College English I (some students receive AP credit for
1201 and enroll immediately in 1202). At the beginning of the semester you will
receive a list of those students who have not passed College English I. If any
of these students are registered in your class, send them immediately to the
Chairperson, Dr. Mary Balkun, Fahy 362, to drop the course.
You should
administer a diagnostic essay to your students during the first class meeting to
determine their writing strengths and weaknesses. Return the essay with
comments (but not a grade) and suggestions for improvement.
IN-CLASS ESSAY
FINAL EXAM
A final exam is required in
College English II. This may be an in-class exam, a take-home exam, or final
piece of writing that students submit. If you choose one of the latter options,
you are still required to be available during the scheduled final exam period to
meet with students. Many instructors have students submit the final piece of
work at the exam period. A self-assessment is required part of the final
exam; see "Portfolio" below.
PORTFOLIO
All students must submit a
portfolio of their work from their first-year writing classes. Instructions may be
found at
http://artsci.shu.edu/english/e-portfolio/directions_for_creating_your_e-portfolio.htm
The self-assessment must be included at part of the final exam.
Most instructors have found that it works best to assign students the
self-assessment as a take-home exam, and to reserve the in-class portion of the
exam for questions about literature. The portfolio itself serves to assess
the writing program, not your individuals students. Thus, the only
ways the portfolio affects your class are these: (1) the self-assessment
becomes part of the final exam grade and (2) some class time should be reserved
to make sure students can follow the instructions at the above site.
THE WRITING CENTER
Students should be encouraged to use the
Writing
Center for all phases of
the writing process.
Attendance should count between 5% and 10% of the student’s final grade. College
English II students are required to attend the Writing Center at least twice,
although individual students may be required to attend more often as needed;
they will find the feedback beneficial.
The Writing Center is staffed with English faculty,
peer tutors, and professional adjuncts.
It is located in A&S Hall, second floor.
The Writing Center
is open Monday through Thursday from 10 a.m. to 7 p.m. and Friday from
10 a.m. to 3 p.m. It will open
on the Monday after add/drop period ends, on January 19, 2009.
An On-Line Writing Lab (OWL) is also available for students beyond the
first year, or for first-year students with the permission of the instructor.
A link to the OWL can be found on the English department’s home page, or
just go to
http://www.shu.edu/academics/artsci/writing-center/
Please also remind
your students that you will be receiving reports from the Academic Resource
Center on their Writing Center
sessions. Remind them that they can
go on-line and access the session notes that are written each time they meet
with a tutor in the Writing
Center. These session
notes can help them plan and revise their writing projects.
To access their session notes, they should follow the link called
“View/Create My ARC Visit” on the Writing Center
homepage and login. Then, they will
click on "Tutorials" and choose the records they want to review.
Finally, in order to
ensure that the Center doesn't have an insane rush of students at the end of the
semester, please suggest the following: Students should attend their first
Writing Center session by Friday, February 27,
2009, and their second session by Friday, April 13, 2009.
For more information, contact the
Acting
Writing
Center Director,
Dr. Arundhati Sanyal, 973-275-2183, or sanyalar@shu.edu.
INFORMATION LITERACY
All sections of ENGL 1202 will include an
advanced library orientation, building on the material the students learned in
ENGL 1201. Schedule library orientation for your class using the database
created for this purpose: http://tltc.shu.edu/library/calendar.php. This orientation will introduce students to a wide
range of research resources, print and electronic, and familiarize them with the
search and research procedures necessary for college papers. Your library
orientation should be tied to the research paper, and your assignments should be
made available to the librarians when scheduling your orientation. Sample
assignments are available. You must give a copy of your assignment, as well as
the date and hour of the session, to the Director of First-Year English, Dr.
Nancy Enright; for Spring 2009, to Acting Director, Dr. Kelly Shea.
TECHNOLOGY SUPPORT
The Teaching,
Learning, and Technology Center provides support for instructors using
information technology in their courses. The English Department’s liaisons are
instructional designer Danielle Mirliss. The TLTC offers several grant programs
for faculty interested in the innovative use of technology, access to an ITV
room, and support for Blackboard.
POETRY-IN-THE-ROUND
Seton Hall is fortunate to sponsor an annual
readings series, Poetry-in-the-Round, currently directed by Dr. John Wargacki of
the English Department. In the past, readings have been given by the late
James Merrill, Geoffrey Hill, Amy Tan, Joyce Carol Oates, Gwendolyn Brooks,
Adrienne Rich, and many others. These readings allow students the opportunity
to see literature in action
Students should be strongly encouraged to attend one of these readings since
Poetry-in-the-Round offers cultural experiences that can enhance their studies.
Each year’s schedule of poets and
authors is posted in the fall. You will also receive announcements for upcoming
events in your mailbox. Upcoming events are posted at the start of each
semester. Many of the speakers also offer smaller seminars in order to have
greater interaction with students; please arrange attendance at these through
Dr. Wargacki.
WRITING INSTRUCTION
Writing Process Overview:
It is essential to continue to stress the
writing process in ENGL 1202 to reinforce students’ proficiency.
There are useful readings in each of the
required texts for ENGL 1202. The Bedford Handbook
Covers the basics of the process in Part I: “The
Writing Process,” including information on prewriting, drafting, audience, topic
selection, development, and revision. Part IX: “Critical Thinking” provides a
helpful discussion of writing about texts, including suggestions for how to read
secondary sources. Part X: “Researched Writing” includes an extensive
discussion of citation and documentation as well as considering how to conduct
research, evaluate sources, and avoid plagiarism. It also has a specific
section on writing about literature.
The course’s primary text, Literature,
also includes valuable discussions of writing. There are sections on “writing
about fiction,” “writing about poetry,” and “writing about drama” in each unit.
In addition, the book begins with a chapter on “Reading (and writing about)
Literature” and concludes with a chapter on “Critical Perspectives and Research”
which is more extensive than the similar chapter in the handbook. These are
written effectively and are accessible to students; they include many samples
and examples for students to follow.
Supplemental Skills:
Information Literacy: It is essential that
students understand that college-level research cannot begin or end with
Google. The library orientation will reinforce students’ work on electronic and
print databases, but class time should also be given to evaluating sources,
using sources, reading sources, and incorporating research into their writing,
as well as avoiding plagiarism.
Notetaking: Methods of note taking beyond
computer “cut and paste” and “Xerox and underline” should be discussed. While
you may no longer want to require note cards (or you may), it is important to
stress that students need to engage actively with the texts they read through
note taking. You may want to introduce students to several possible methods of
documenting their research, such as note cards, note pages, flagging, or a
research journal and allow them to choose between them. However, some
notetaking component must be required.
Documentation and Bibliography: Students must be
familiar with and make use of a citation system. For the purposes of ENGL
1201-1202, students are required to use MLA in-text and Works Cited format.
They should, however, understand that this is one of many available formats, and
different disciplines will require different systems. Therefore, they should be
comfortable following guidelines and examples. They should be familiar with the
citation of books, journal articles, chapters in books, and online sources.
In addition, faculty may want to require an
annotated bibliography, in which students list their research in the correct
format and provide a two- or three-sentence description of the work, its
approach, and its potential for use in their research essay.
Grammar, structure, and mechanics reviews:
Students should be able to write correctly using the conventions of English
Literary Standard. This may require some reviews of grammar, structure, and
mechanics. These can take place in class or can be assigned for homework (the
sections in the handbook are useful and do provide exercises); they can simply
be a review, or they can be assessed in class with exercises or quizzes. If
individual students have difficulties not shared by the rest of the group, they
can be requested to work on these in the Writing Center with a tutor.
LITERATURE IN 1202
As you approach the literature in ENGL 1202
through the lens of your particular focus (Nature, Humanities, Public Life, or
the Human Psyche), you may choose to work generically, thematically, or
chronologically. That is, you may divide the literature into genres—poetry,
prose, and drama—and focus on each one separately, you may work through the
material chronologically and consider various periods/movements, or you may
choose to work thematically, addressing elements of your topic through a variety
of literary approaches. For instance, a unit in a “Human Psyche” class on
Courtship might read Andrew Marvell’s “To His Coy Mistress,” Katherine
Mansfield’s “Bliss,” and Shakespeare’s “Twelfth Night,” and Karen Horney’s “The
Distrust between the Sexes” from World of Ideas, while a Nature section
might choose instead to consider “Fiction about Nature,” “The Poetry of Nature,”
and “Nature and Drama.” Supplemental readings from the on-line course materials
should be chosen to work with the particular topic under consideration and
should be discussed in concert with the literature.
In designing the reading list, instructors may
decide to take a comprehensive approach to the larger topic, examining a variety
of issues under the heading of Humanities, Public Life, Nature, or the Human
Psyche, or they may focus more particularly on a single, rich topic (such as
“Work” in the Public Life sections, or “The Family” in a Human Psyche course,
for instance). See the supplemental syllabi for examples. You may also consult
the director of First-Year writing for suggestions and additional sample
syllabi.
However, it is essential that each section cover
all three genres in some way in order to provide an introduction to literature
and expose students to its range. While the course may favor one or the other,
it should include at least two plays, one classic (written before 1660)
and one contemporary. While supplemental readings may be posted in Blackboard,
try to make as much use as possible of the books required for the course.
The two major components of the course--the
research paper and literature--must be interwoven to form the syllabus. There is
additional information about the writing of the research paper in Literature
and The Bedford Handbook including some sample critical essays and
student examples.
In addition students must do several short
pieces of writing, formal or informal, beyond the research paper that deal
directly with the literature and the supplemental readings.
THE RESEARCH PAPER
The research paper can be
either a traditional literary analysis or a paper that examines the literature
or literary issues from an interdisciplinary perspective.
The advantages
of having the class treat the same literary piece are significant: the
opportunity to have classroom discussions of the literature, common interests in
research, accessible library and source material (many instructors put material
on reserve), and teacher expertise. Many faculty select sustained works in the
text such as plays, or several short stories or poems by the same author. Some
also choose to have the students read a novel with a thematic connection to
other works covered during the semester.
The advantages
of having students treat individual and varied subjects from any field are
equally significant: motivation and interest are high; research may already be
started. For this approach, it would be a good idea to look at the articles on
Writing Across the Curriculum in "Professional Resources for Instructors."
The textbook
suggests a third approach to a topic--the thematic. Although this is valid, it
is highly comprehensive.
Once you have
decided upon a method, be sure to adapt your syllabus to that of the department.
The department guidelines for the
research paper are flexible, but these are the basic requirements:
-
7 - 10 pages of double-spaced text
-
Citing approximately 4-6 sources
-
Full heading
-
Last name and page number on each page
following the first
-
MLA in-text documentation
-
Works Cited page(s)
The following may not be used as
sources: Cliffs Notes, Monarch Notes, Barrons, Wikipedia, or the like. Use of
on-line sources should be restricted to full-text databases in most cases.
Evaluating on-line sources should be part of the teaching of the research
paper.
PLAGIARISM
Plagiarism is a
serious problem. It undermines the scholarly enterprise; it can also cause
students to fail the assignment and possibly the course. The English Department
has a detailed plagiarism policy. You must distribute this policy with your
syllabus on the first day of class and review it with your students. (Copies
will be available in the department by the first day of classes.) You should
also have a statement about the consequences of plagiarizing on your syllabus.
Research has demonstrated that instructors who address the consequences of
plagiarism head-on and discuss the ramifications with their students have fewer
incidents overall.
What appears to
be plagiarism is often students’ inability to paraphrase and summarize
correctly. Reviewing these two skills in class can help alleviate the problem.
Having students practice paraphrasing and summarizing before the paper is due
will teach them how to use their research validly.
To help students
during the entire research process, collect all preliminary pieces--notecards,
outline, bibliography, drafts--in stages, as they are written. Providing
feedback at each step will also help students focus their writing, will reveal
potential problems at an early stage, and will eliminate the last-minute or
eleventh hour crisis. Collecting all the materials again at the end with the
final paper will also help prevent plagiarism and give you a sense of the
students’ overall work on the research project.
Plagiarism Policy for Rough Drafts
Since some of us grade rough drafts separately while others
incorporate drafts into a final grade, we offer two possible ways to penalize a
plagiarized rough draft:
(1) if you grade the rough draft separately, the plagiarized draft receives a
grade of zero;
(2) if
you incorporate the rough draft into a final paper grade, a plagiarized rough
draft results in a final grade lowered by one full letter grade.
Plagiarism
Resources
The English
Department has two resources to help you prevent and deal with plagiarism and
cheating. Turnitin.com is a web-based database which allows you to check a
student paper against papers on line and the turnitin.com database of papers.
Some faculty members require all students to hand in papers through
Turnitin.com. Others use it on an as-needed basis. If you choose the latter
approach, be sure to have your students hand in all papers in both hard copy and
electronic format, so they are available for checking through Turnitin.com, if
necessary. SecureExam allows you to administer tests on the students’ lap tops
in class in a secure environment.
Note: Students
are expected to write new material for their work in both 1201 and 1202.
Therefore, papers done in high school or for another, prior class are NOT
acceptable in fulfillment of an assignment in 1202, even if the paper “fits” the
assignment in other ways. A statement to this effect should be included within
each syllabus.
CONCLUSION
Be sure to include your policies on grading,
attendance, participation, late papers, missed tests/quizzes, and whatever else
you think is important for your students to know in your course syllabus in the
Course Requirements section of your Blackboard syllabus. You cannot make or
change your policies midstream. Please follow the departmental policies as
outlined above.
All teaching assistants and adjuncts must give
the Director of Freshman English, Dr. Nancy Enright (to Dr. Kelly Shea, Acting
Director in spring 2009), a copy of their syllabi and
have them approved before the semester begins. If possible, please post them in
the Writing Faculty Blackboard Course. TAs must submit their Fall syllabi for
approval one month prior to the start of the semester, and their Spring syllabi
by the end of December. Adjuncts must submit their fall syllabi for approval at
least two weeks before the semester begins. All other faculty should provide
copies of their syllabi to the Director (Kelly Shea, Acting Director, for spring
2009, either in electronic (preferred) or
paper copy, during the first week of classes each semester. Although changes to
accommodate individual classes are expected, the University requires that each
faculty member distribute a syllabus during the first week of classes.
Note: During the course of the semester,
teaching assistants must also provide the Director with a copy of all
hand-outs--whether assignments, tests, quizzes, or informational
hand-outs--before distributing them to the class. This should be done early
enough for the Director to review them for approval or to make suggestions for
change. Your College English II plans must reflect the use of Literature
and the supplemental on-line readings (3-5 of them), along with the departmental
requirements for the course. Although it is tempting to let the literature
become prominent, please don’t forget that this is a writing course. Schedule
time for the discussion of writing, particularly the components of the research
paper.
In designing your syllabus, be sure to cite
specific works, chapters, and writing assignments. If you wish to make a daily
syllabus with readings for each date your class meets, be sure to note that the
readings are “subject to change,” as you will likely need to adapt your list as
the term wears on—whether because you get behind or because the semester is
interrupted due to weather or other emergency conditions. By using units or
weeks instead, you can slow down the pace when your students need reinforcement
and attention, and speed it up when they master the work easily.
Your submitted syllabus must include formal and
informal writing assignments, a schedeuled library orientation, and a final
exam. Quizzes, tests, in-class writing, and exercises need not be dated, but be
sure to indicate that they are a part of the course. A mid-term exam is
optional.
If you have any questions about your syllabus,
please feel free to contact the Director at any time:
Director: Dr. Nancy Enright
Acting Director, Spring 2009: Dr. Kelly Shea
Office: Fahy 359 |
Ext.: 2545
Email: enrighna@shu.edu
Please contact Dr. Enright (Dr. Shea, Spring
2009) if you have any
questions, concerns, or problems during the semester. She is available to help
you with any difficulties you may be having with your teaching or with
individual students.
SAMPLE SYLLABUS FOR THE HUMANITIES:
UNIT
1: LITERATURE AND ETHNIC IDENTITY (and the Study of Music)
(Note: Page number shows where the
selection begins. Ending page number is not given.)
Week I : Introduction.
Literature: “Introduction” (1) ; Langston Hughes, “Harlem”
and selected poems (994); “Langston Hughes in Context” (989); Handbook--
Part IX: “Critical Thinking,” Chapter 46 (skim).
Week II :
Walker “Everyday Use” (743); Part 1, Chapter
1,“Reading Stories” (27); Chapter 3, “Elements of Fiction” (49) – “Plot and
Structure”(49), “Character” (59); “Setting” (66). Part 4, Chapter 32,
Writing with Sources: “Selecting a Topic” (2120) and “Developing a Thesis”
(2127). Cisneros (238-240), “Barbie-Q” (243) and “Eleven” (241); on-line
reading -- Copeland. Topics for Paper 1 due
on Thursday. You must find a musical piece that
connects with the work of literature you will be discussing for your paper,
dealing with the topic of ethnic identity. You may deal with the ethnicity
described in the text, or you may focus on your own ethnicity and link it with
the depiction in the story or poem you have chosen, as well as the musical
piece. Lyrics posted in Blackboard also due on Thursday.
Week III : -
Literature: Baldwin, “Sonny’s Blues” (433); Part 2, Poetry, Chapter 11,
“Reading Poems” (762); Kinnell, “Blackberry Eating” (1148); Yeats, “When You
Are Old” (1223); Part 1, Chapter 4, “Writing about Fiction” (111) and Part 2,
Chapter 14, “Writing about Poetry” (843). On-line reading: King’s Letter from
the Birmingham Jail. Handbook: Part X: "Writing Arguments" and "Writing
About Literature," Part XI: "Document Design,” Outlines
for Paper 1 due Thursday.
Week IV :
Literature: Joyce, “The Dead”(584); Jen, Gish. “Who’s Irish?” (340); Part
2, Chapter 9, “Elements of Poetry,” “Voice, Speaker and Tone” (779), “Diction”
(787), “Imagery” (793); Lee, “I Ask My Mother to Sing” (1153);
Rough Drafts of Paper 2 due on Thursday.
UNIT 2: LITERATURE AND THE BIBLE (and the
Study of Art)
Week V :
Literature: “The Prodigal Son” (27); Bishop, “The Prodigal” and Rembrandt
van Rijn “The Return of the Prodigal (art section of the text, between pages
906 and 907; this poem and image are on p. 9 of this section);
Topics for Paper 2 due on Thursday; Paper 2 must examine a work
of literature in connection with a work of art, both dealing with a Biblical
subject. You may choose one of the readings in this unit, or find another one
on your own (if it’s approved by me). The reading may be from the Bible itself
or inspired by it in terms of subject and theme. Examine the museum databases
in the External Links of our course and select and image and post it in
Blackboard, along with the work of literature with which you want to link it.
Be prepared to share your choice with the class.
Week VI:
Literature: John Donne, Holy Sonnets “Death Be Not Proud” and “Batter My
Heart, Three-Personed God”; Hopkins, “The Wind Hover”; Part 2, Chapter 9,
“Elements of Poetry,” “Figures of Speech: Simile and Metaphor” and “Symbolism
and Allegory.” On-line reading: Sermon on the Mount. Outline for Paper 2 due
on Thursday.
Week VII:
Literature: Flannery O’Connor, “Everything that Rises Must Converge” and
“Revelation” (on-line); readings on Flannery O’Connor. On-line reading:
selections from Genesis. Rough Drafts of Paper 2
due on Thursday.
Week VIII:
Literature: Herbert, “Love III” (hand-out), “The Altar” (950); Part 2,
Chapter 9, “Elements of Poetry,” “Syntax,” “Sound: Rhyme, Alliteration, and
Assonance,” “Rhythm and Meter,” and “Structure.” On-line reading: Weil.
Paper 2 due on Thursday.
UNIT 3: LITERATURE AND THE FAMILY: GENDER
AND GENERATIONAL CONFLICT (and the Study of Film)
Week IX :
Tuesday – Mid-term Exam. Thursday –
Introduction to Drama. Literature: Part 3, Drama, Chapter 22, “Reading
Plays” (1247-1249) and Chapter 23, “Types of Drama,” Chapter 27, “The
Elizabethan Theatre: Shakespeare in Context” (1387-1391); Midsummer Night’s
Dream(1391), Act I . Topics for Paper 3 due on
Thursday.
Week X:
Literature: Part 3, Chapter 24, “Elements of
Drama,” “Plot,” “Character,” “Dialogue,” “Staging,” “Symbolism and Irony,” and
“Theme”; Midsummer Night’s Dream, cont’d., Acts II and III.
Outlines for Paper 3 due on Thursday.
Week XI :
Literature: Midsummer Night’s Dream,
cont’d., Acts IV and V . Sample Notecards for Paper 3
due on Thursday. View excerpts from Film of Midsummer Night’s Dream.
Week XII:
Literature: Part 3, Chapter 26, “The Greek
Theatre: Sophocles in Context” (1302-1307); Antigone (1347); Prologue and
Parodos, Scene I, Ode I, Scene II, Ode II,. Rough
Drafts for Paper 3 due on Tuesday.
Week XIII:
Literature: Antigone, cont’d., Scene
III, Ode III; View excerpts from Film of
Antigone.
Week XIV:
Paper 3 (6 full pages, min.; 4 sources, min.) due on Tuesday.
Literature: Antigone, cont’d. Scene IV, Ode IV, Scene V, Paean,
Exodos..
Week XV:
Students’ choice of reading. Review.
This syllabus
may be changed. Any such changes will be announced in class or by e-mail. It
is your responsibility to find out about changes in readings or assignments.
Journal:
Students will post journal entries each week. These postings will be part of
your class participation grade.
Blackboard
Discussion: Students, in groups and individually, will post answers to
questions in Blackboard on a regular basis. This will count as part of class
participation.
Late papers will
be down-graded one half letter grade for each class day late and not accepted at
all after two weeks.
Grading is as follows: Two short
papers 30%*
Research paper 30%
Class
participation 15%
Mid-term exam 10%
Final exam 10%
Writing Center 5%
*OR three shorter papers (either continuing as 30% total or increasing in value
for each paper--e.g., 8%, 12%, 15%--with the research paper as 25%)
Notes:
Materials for the on-line inter-disciplinary portion of 1202 are available in
the TPP Community and the Writing Faculty Blackboard course; faculty members are
also free to use their own source materials, so long as they fit their theme and
fall into the required number of sources (3-5).
The sample syllabus is from a Humanities version of the course. Obviously,
another version would use different inter-disciplinary focuses, but the basic
idea will be the same. The largest portion of the readings, by far, is from the
literature text. The on-line accompanying readings are supplemental and linked
closely to the literary focus of the course.
Note that the film portion of the last third of the course involves showing only
excerpts of films, not entire class meetings devoted to watching a film.
Students can be directed to view films on their own. Small portions of film,
however, may be shown and discussed in class.
If you have any questions about creating your syllabus, please contact Dr. Nancy
Enright, Director of First Year Writing (for spring 2009, Acting Directors, Dr.
Kelly Shea).
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